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Now this is creative. http://thejailbreak.com/2009/12/01/ice-ice-baby-katie-patersons-ice-records/
The Art of Music
Take today’s widely-echoed Financial Times report about “Project Cocktail” — an attempt by Apple and the four major labels to re-imagine the digital album with soft (as in onscreen) album art. They hope album art that embraces digital technology, rather than merely providing a miniaturized version of the original album cover, will entice music fans to start buying digital albums again. Apple and the labels envision fans gathering ’round the glow of their laptops — or tablet PCs — to listen to music together, the way they used to before they retreated into their own digital pods. [read the rest of the article here]
Award winning artist and designer Tom Wilkes died unexpectedly on Sunday, June 28 at his home in Pioneertown, CA at the age of 69. Wilkes was the art director of the Monterey International Pop Festival in 1967. He designed many classic album covers like Rolling Stones' "Beggars Banquet" and Neil Young's "Harvest." He was awarded a Grammy in 1974 for Best Recording Package for "Tommy" as performed by the London Symphony Orchestra and Choir.
Pioneertown, CA (Billboard Publicity Wire/PRWEB ) July 5, 2009 -- Renowned album cover artist and designer Tom Wilkes died unexpectedly on Sunday, June 28, at his home in Pioneertown, California. He was 69.
Thomas E. Wilkes was born July 30, 1939 in Long Beach, California and was raised in southern California. He attended Long Beach City College, UCLA and the Art Center College of Design in the 1950's and 1960's.
In 1967 Wilkes was the art director of the Monterey International Pop Festival. He created all graphics and printed materials for Monterey Pop, including the program book and the festival's psychedelic and iconic foil poster.
From 1967 through 1969, Wilkes was the art director of A&M Records. He was partner with Barry Feinstein from 1970 through 1973 in Camouflage Productions, which became record label Blue Thumb's house art department.
He was partner in Wilkes & Braun, Inc. from 1973 through 1974, and art director of ABC Records from 1975 through 1977. In 1978 he started Tom Wilkes Productions and became President of Project Interspeak, a not-for-profit environmental and human rights organization devoted to planetary enhancement programs.
Wilkes designed and directed such hit record covers as Rolling Stones' "Flowers" and "Beggars Banquet", Neil Young's "Harvest", and George Harrison's "Concert for Bangladesh" and "All Things Must Pass."
He received a Grammy Award in 1974 for Best Recording Package for The Who's rock opera "Tommy," as performed by the London Symphony Orchestra & Choir.
Among his many album cover credits:
Janis Joplin - "Pearl"
Ike & Tina Turner - "Outta Season"
Eric Clapton - "Eric Clapton"
Dave Mason - "Alone Together"
Joe Cocker - "Mad Dogs & Englishmen"
Flying Burrito Brothers - "Gilded Palace of Sin"
John Prine - "John Prine"
Emmylou Harris - "Blue Kentucky Girl" and "Elite Hotel"
Leon Russell - "Stop All That Jazz"
REO Speedwagon - "You Can Tune a Piano, But You Can't Tuna Fish"
In addition to creating hundreds of posters, logos, books, trade ads and illustrations, Wilkes produced and directed TV and radio spots, music videos, films, mixed media presentations and special events.
He recently completed a book of his artwork and memoirs, called "Tommy Geeked a Chicken," and was negotiating publishing arrangements. At this time, plans are being made to proceed with publication of the book.
A memorial service will be held for Wilkes on Saturday, July 11th, in Orange, CMarch 6 - April 25, 2009
Invite-Only Reception: Fri., March 6
Gallery Hop: Sat., March 7, 6-10p
Ric Ocasek, renowned lead singer and songwriter from The Cars, will debut his first solo art exhibition, Noise Colored Party, at the Mahan Gallery, March 6, 2009. The two-month exhibition will showcase select works from the 1980s to the present across several media: drawings with pen, colored pencils and markers, digital photo collages and mixed media paintings.
For Ocasek, who has also found success as a music producer for No Doubt, Nada Surf, Weezer and other groups, the boundary between the musical and the visual is nebulous. Like music, his artwork encompasses elements of rhythm, harmony and dynamics. He creates art as an escape, each piece emerging as a “transient daydream” or diversion as he works in his studio, passes time on airplanes or simply sits in a quiet spot. Self-described as colorful, abstract and unconscious, the artwork is an extension of himself – a collection of “self-portraits” — created without pretense and with no intent for public exhibition. Visitors to the gallery are free to interpret and experience the artwork in their own way.
It is fitting that Ocasek’s first art exhibition takes place in Columbus, the city where he spent many of his formative years as well as where he met fellow Cars bandmember, the late Benjamin Orr.
Ocasek will make an appearance at the gallery for an invitation-only reception on Friday, March 6, with a possible public appearance during Gallery Hop.
Curator(s)
Jacquie Mahan
Randy Hill is an award-winning graphic designer, fine artist and musician. He is founder and creative director of Hill Design Studios, (www.hilldesignstudios.com) a Pacific Northwest based design studio and has been working in the visual design profession for over thirty years.
Randy, who is a native Texan, currently resides in the wilds of the Pacific Northwest with his wife and five cats.
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